Boaz Yakin is typically seen as a work-for-hire writer and director. It's not his fault, he's just a good writer with bills to pay, so he takes a lot of sub-par studio projects that don't really offer him anything interesting to do in the script. So it's weird that a movie like Fresh comes from someone with a track record for mediocrity, but Fresh really is one of the all time must see movie downloads.
Yakin wrote and directed the film after going into exile for some years. He was disillusioned with all the crummy studio work he was getting, all the uninspired, formulaic movies that were really just being made to sell more tickets and put more money in the studio exec's pockets. He decided to leave Hollywood and not to come back until he had something to say. Fresh, then, is certainly saying something.
Fresh is the name of the young hero of the movie, a child who works as a drug mule for various dealers and scumbags around the city. He makes around twenty to fifty bucks per run, and saves it all up in a coffee can while his dealers have assumed he's been spending it on comic books and candy bars. What exactly is he saving it for? Well, you'll find out, and you'll be honestly shocked and surprised at exactly how deep his plans really go.
Fresh spends one afternoon a week learning to play chess from his father, who is estranged from the rest of the family. These scenes are something like the Greek chorus scenes of the film, with Fresh reflecting on what's been happening and contemplating his next move.
Think of it as Fistful of Dollars set in the ghetto. When a girl Fresh has a crush on, as well as a childhood friend, are murdered in a random shooting by one of the drug dealers he works for, Fresh hatches a plan to take revenge on all of the pushers and scumbags he deals with on a daily basis, freeing himself and his family from the clutches of the drug dealers.
The plan is complex, but easy to understand after you see the whole thing play out. Fresh's ingenuity is incredible, the way he plays one side against the other, all the while avoiding suspicion simply by virtue of being a child. They never suspect that they've been outwitted by a ten year old. So the question is how long he can keep the facade going, how long it takes to make everything work and free himself of these scumbag's control over his life once and for all.
The movie is, at times, brutally and shockingly violent. This is necessary to drive home the reality of Fresh's situation. He's not in a good place in life, his bosses menace him and threaten him with death at every turn, and he walks a tightrope in order to keep himself alive while at the same time taking down the people who torment him and his friends and family.
The movie is really unlike any other. We've seen movies where the hero schemes their way out of trouble, rather than fighting or using guns, but rarely do we see a movie where that hero is a ten year old boy, rarely do we see a film with a child hero in a violent situation without being a fantasy family film like Home Alone. Fresh is real, raw, frightening, and fascinating.
Yakin wrote and directed the film after going into exile for some years. He was disillusioned with all the crummy studio work he was getting, all the uninspired, formulaic movies that were really just being made to sell more tickets and put more money in the studio exec's pockets. He decided to leave Hollywood and not to come back until he had something to say. Fresh, then, is certainly saying something.
Fresh is the name of the young hero of the movie, a child who works as a drug mule for various dealers and scumbags around the city. He makes around twenty to fifty bucks per run, and saves it all up in a coffee can while his dealers have assumed he's been spending it on comic books and candy bars. What exactly is he saving it for? Well, you'll find out, and you'll be honestly shocked and surprised at exactly how deep his plans really go.
Fresh spends one afternoon a week learning to play chess from his father, who is estranged from the rest of the family. These scenes are something like the Greek chorus scenes of the film, with Fresh reflecting on what's been happening and contemplating his next move.
Think of it as Fistful of Dollars set in the ghetto. When a girl Fresh has a crush on, as well as a childhood friend, are murdered in a random shooting by one of the drug dealers he works for, Fresh hatches a plan to take revenge on all of the pushers and scumbags he deals with on a daily basis, freeing himself and his family from the clutches of the drug dealers.
The plan is complex, but easy to understand after you see the whole thing play out. Fresh's ingenuity is incredible, the way he plays one side against the other, all the while avoiding suspicion simply by virtue of being a child. They never suspect that they've been outwitted by a ten year old. So the question is how long he can keep the facade going, how long it takes to make everything work and free himself of these scumbag's control over his life once and for all.
The movie is, at times, brutally and shockingly violent. This is necessary to drive home the reality of Fresh's situation. He's not in a good place in life, his bosses menace him and threaten him with death at every turn, and he walks a tightrope in order to keep himself alive while at the same time taking down the people who torment him and his friends and family.
The movie is really unlike any other. We've seen movies where the hero schemes their way out of trouble, rather than fighting or using guns, but rarely do we see a movie where that hero is a ten year old boy, rarely do we see a film with a child hero in a violent situation without being a fantasy family film like Home Alone. Fresh is real, raw, frightening, and fascinating.
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