If you're looking for an action flick that's a little different from the usual shaky cam and incoherent running and shooting, Exiled may be the answer. It belongs on any movie downloads queue for the way that it manages to create a strange, dreamlike trance in its action through slow motion and unpredictable developments.
We follow a gangster who betrayed his boss years ago, and his since gotten married and had a baby. The boss sends a couple of hitmen to take him out, while at the same time, two other former members of the gang show up to protect him. This is where the movie begins.
There's a warmth and sweetness to what happens. Where most gangster movies are defined by that cold, impersonal "Just Business" approach to violence, here, none of the characters really want to shoot at each other, they've been friends since they were young, and they seem upset that it's come to this.
The movie was directed by Johnnie To, the Hong Kong legend, who came out with his first films around the same time as John Woo and Ringo Lam were defining the Heroic Bloodshed genre of HK action flicks. Where those earlier films were defined by the anger at the Chinese takeover of the city, this one has a sense of forgiveness, compassion and understanding, having been made after the takeover.
The movie has an odd, dreamlike quality to it. An opening gunfight has a bathroom door fly off its hinges and it twirls gracefully around the room until the firefight finally ends. Later we see a character throw a Red Bull can into the air, and the entire gunfight happens in slow motion before the can hits the ground. This is a bullet ballet.
The action is clear and coherent, the story isn't always so clear. This actually helps the film's dreamlike feel, so if you just watch it for the characters and for the action, the weird, twisty-turny story won't infringe upon your enjoyment of the film and what it really does have to offer the viewer.
The genre of Heroic Bloodshed was defined by angry violence, often showing one man up against an army as a parallel to the independent people of Hong Kong and their anger against the Communist China. After Woo and Lam went to Hollywood, Johnnie To stayed behind and redefined the genre on his own terms, turning it into something a little less vitriolic.
It's truly a rare spectacle in the world of action. Even if you've seen everything John Woo and Ringo Lam have ever made, this movie will show you something you haven't seen before. It's definitely something to watch if you're looking for an action scene with its own approach to the usual shootouts and fight scenes.
We follow a gangster who betrayed his boss years ago, and his since gotten married and had a baby. The boss sends a couple of hitmen to take him out, while at the same time, two other former members of the gang show up to protect him. This is where the movie begins.
There's a warmth and sweetness to what happens. Where most gangster movies are defined by that cold, impersonal "Just Business" approach to violence, here, none of the characters really want to shoot at each other, they've been friends since they were young, and they seem upset that it's come to this.
The movie was directed by Johnnie To, the Hong Kong legend, who came out with his first films around the same time as John Woo and Ringo Lam were defining the Heroic Bloodshed genre of HK action flicks. Where those earlier films were defined by the anger at the Chinese takeover of the city, this one has a sense of forgiveness, compassion and understanding, having been made after the takeover.
The movie has an odd, dreamlike quality to it. An opening gunfight has a bathroom door fly off its hinges and it twirls gracefully around the room until the firefight finally ends. Later we see a character throw a Red Bull can into the air, and the entire gunfight happens in slow motion before the can hits the ground. This is a bullet ballet.
The action is clear and coherent, the story isn't always so clear. This actually helps the film's dreamlike feel, so if you just watch it for the characters and for the action, the weird, twisty-turny story won't infringe upon your enjoyment of the film and what it really does have to offer the viewer.
The genre of Heroic Bloodshed was defined by angry violence, often showing one man up against an army as a parallel to the independent people of Hong Kong and their anger against the Communist China. After Woo and Lam went to Hollywood, Johnnie To stayed behind and redefined the genre on his own terms, turning it into something a little less vitriolic.
It's truly a rare spectacle in the world of action. Even if you've seen everything John Woo and Ringo Lam have ever made, this movie will show you something you haven't seen before. It's definitely something to watch if you're looking for an action scene with its own approach to the usual shootouts and fight scenes.
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The two meet outside where they assist (in vomiting) a young guest who got into the wedding champagne. Best Movie Download Site Singing songs such as "Love Sucks" at a subsequent wedding reception, he ends up getting drunk and ruining the gig. From that point on Capra, unwilling to either risk his own money or work for somebody else directed very few movies.
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